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October 23, 2006
Joseph Park Lecture in Vancouver

Canadian painter JOSEPH PARK is in Vancouver B.C. for a special presentation by the Contemporary Art Society of Vancouver (CASv). For all of you that complain Asian Heritage Month is the only time we hear about Asian Canadian talent, don't miss this opportunity to hear and meet Joseph Park. Get your art-fix with one of Canada's most talented.
Thursday, October 26, 2006 | 7:30 p.m. at the Emily Carr Institute of Art + Admission is FREE. Design
1399 Johnston Street, Granville Island - click here for map.
Joseph Park was born in Ottawa, Canada; graduated with a BA from Cornish College of the Arts and with an MFA from the California Institute of the Arts. He recently had a solo exhibition, Moon Beam Caress, at the Frye Art Museum, Seattle (2005), and his work has been featured in group exhibitions such as Drawn Fictions, The Art Gym, Marylhurst University, Marylhurst, OR (2004) and Comic Release: Negotitating Identity for a New Generation, Regina Gouger Miller Gallery, Carnegie Mellon University (2003).
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Pics on artnet.
For his exhibition titled Amagansett, Seattle based artist Joseph Park has created paintings inspired by his recent sojourn in Amagansett, New York. Mining this area of rich artistic activity, Park uses lush, swirling brushwork to create powerfully stark depictions of the tree outside Jackson Pollock’s studio, for example, or a rocking chair that belonged to Willem de Kooning. The region’s famed light and physical features—including the Walking Dunes—are strikingly captured in Park’s restrained palette of cobalt based ocean blues and sepia browns, conjuring winter colors and seasonal nostalgia. His dynamic style seems equally inspired by Pollock’s powerfully kinetic technique as by the motion of the wind and waves.
Joseph Park’s exhibition, Amagansett is on view at the Rena Bransten Gallery
He is also represented by Howard House Gallery in Seattle.
The Contemporary Art Society of Vancouver is a not-for-profit organization founded in 1977 to promote an appreciation and understanding of 20th century art. Today it continues this objective by focussing on contemporary art practice.
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