May 2010 Archives

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By Schema Magazine and Sammie Jo Productions

Wondering where to eat before the West is East party? You're in luck. Terracotta is opening it's doors today in historic Gastown, just minutes from Fortune Sound Club (Chinatown). The newest addition to Vancouver's modern Asian cuisine! Could our food get any better?

Terracotta Modern Chinese creates Chinese tapas through a delicate balance of traditional flavours, and modern presentation.

Transforming the ubiquitous into the exotic, modern Chinese dishes are enjoyed in the sleek and cozy resto-lounge, inspired by the ancient and mythical Terracotta Warriors of China's Qin Dynasty.

For more, visit terracottavancouver.com

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Posted by Alden | May 27, 2010 | Comments (0)

Tags: Asian Canadian, Events, Food

By Justin Ko

Tawilis: Palaot sa Mailap na Huli
Philippines, 2009, 28 min
DIR: Reymer Salvador


Environmentally-themed films have become staples in the documentary world, riding on the wave of "green" issue and conservation consciousness worldwide. Rarely, however, are the perspectives of Asian countries portrayed to a significant extent in such films.

With Tawilis: Palaot sa Mailap na Huli, (Sailing Towards an Elusive Harvest), students from the College of Mass Communication in Manila manage to convey a uniquely Asian - and specifically Filipino - experience regarding the close interrelation between the health of the environment and the livelihood of local residents. The film, which was the video production thesis for students Melanie Fernandez, Hershel Matibag, Romina Rodriguez, and director Reymer Salvador, has an air of authenticity and practicality. The dialogue, entirely spoken in Tagalog with English subtitles, attests to the local-made nature of its production.

In the case of Tawilis, which is also the name of an abundantly found fish in the famous Taal Lake, the fishers and residents of the lake rely on the fish for both sustenance and income. The subtitle of the film is fitting; whereas in years past the fishers were able to catch nearly 300 tawilis a day, they are now only able to catch a few dozen in their nets. The documentary alternates between footage of the picturesque Taal Lake and fisherman struggling to continue their "elusive harvest" set to pensive violin melodies, and candid interviews with local environmental and Batangas (government officials), along with the fisherman themselves, voicing their own opinions regarding the sudden decrease in tawilis and the undeniable breakdown in the lake's ecosystem.

It is clear that the issues that plague the lake are not the global-spanning and scientifically-debated concepts of pollution and greenhouse gas, but rather, the usage of fish cages and improper dumping of waste into the lake. And, since the problems are local in scope, the overall tone of the film is optimistic and hopeful, and there is little petty infighting or needless arguing between special interest groups and corporations willing to sacrifice the environment for their bottom line. Everyone in Tawilis understands the need for change in order to survive, and the audience is encouraged to participate in a change of their own after the film is done.

Followed by Iron Crows.

Screening: Friday, May 28th, at 4:30 pm

Posted by Justin Ko | May 27, 2010 | Comments (0)

Tags: documentary, Environment, film, Philippines

By Justin Ko

The Golden Pin
Canada, 2008, 93 min
DIR: Cuong Ngo

Despite its abbreviated length, The Golden Pin is an ambitious and adventurous film in terms of content and underlying message. Director Cuong Ngo crafts a short that manages to explosively challenge several unspoken boundaries, such as interracial and homosexual barriers, which are rarely ever addressed in feature-length Asian cinema.

Lead character Long played by Kris Duangphung, is due to be married to the lovely Vanessa, played by Lily Nguyen. All seems well until the film's central catch, which is, essentially, straight out of Brokeback Mountain: Long's swimming partner, Ryan (Ben Bela Boehm), has feelings for him, and objects to his impending marriage and betrayal of their mutual affection. A brief quote from Long's father, Phong, describes what is already known to those familiar with Asian culture, the importance of sons begetting children and continuing the family line.

Much of Long's inner turmoil is relayed through body language and facial expressions, amidst acrobatic sessions in the swimming pool. The lines that separate the lanes in the pool seem to stand for the degrees of separation and segregation that the characters struggle to overcome. Minh Ngoc Nguyen really steals the show here, of course, as Linh, Long's mother. Interestingly, Linh speaks the entire time in Vietnamese, while Long only converses in English. In this way, yet another barrier is alluded to - the generational gap between Asian immigrants and their local-born children. And yet it is clear that mother and son understand each other perfectly.

It is left to Linh to make the film's philosophical points; in the film's most emotional, climatic scene, Linh confesses the doubts and internal conflicts she had prior to her marriage, ultimately stating that Long must follow his own desires and passions, regardless of the consequences.

In it brevity, The Golden Pin may seem to end suddenly or feel unresolved. Still, director Cuong Ngo manages to convey his themes very effectively in the short time span, provoking the audience to consider the presence of such barriers in their own lives, and the possibility of overcoming them.

Followed by 30 Day Promise and My Toxic Baby

Screening: Sunday, May 30th, 1:00 pm.

Posted by Justin Ko | May 29, 2010 | Comments (0)

Tags: Canada, film, queer, short

By Kwaku Adu-Poku

Schema's West is East Party and Fundraiser is going down TOMORROW (Thursday May 27th). Can you believe it!? It was all a dream... and now it is FINALLY HAPPENING. The line up is going to be incredible, and we want you there. You can still buy tickets for $15 in advance and $20 at the door, so don't fret, you still have a chance to make it to the biggest, awesomest, most raddest bash this year. What a great way to kick off the summer!

In commemoration of the soon to be best night of your life, the super powered force of nature that is Schema mag, and the many talented ladies and gentlemen that make all of this possible, Schema is releasing its FIRST EVER T-SHIRT. What was that? Oh, just the sound of your jaw hitting the floor. west-east-bw-7-in_insert.jpg
The above graphic, featured on the tee, was a collaborative effort between Schema's own Claudia Ho & Adrian Bailon. Props!

The Giant Robot inspired tee costs $20.00, and is Schema's take on the baddest theme around: ROBOTS. The tee comes in American Apparel athletic and tri-blend blue, and features a V neck for the ladies and a crew neck for the gents. You won't be able to keep from pop, lock, and droppin' it on Thursday while wearing this bad boy. You'll win friends and influence people, no reading required! Men (and/or women) will want to be you, and women (and/or men) will want to be with you! Your shine will be so bright you'll put the out the sun! We will see your halo! Your swag will be turned on so far that no one could deny how fresh 'n how clean clean you've become. SWAGGA ON A HUNDRED, THOUSAND, TRILLION!

The only catch is, the shirt is in limited supply, so make sure to come out to the jam TOMORROW (Thursday May 27th) at Fortune Sound Club to pick one up before we run out. This will be the first day of the rest of your life; the tee is just the beginning. Not to mention you'll be supporting Giant Robot (partial proceeds to go them!), and isn't that what it's really all about anyway?

Posted by Kwaku Marfo Adu-Poku | May 27, 2010 | Comments (4)

Tags: Advrtisement, Asian Heritage Month, Dance, Ethnic Cool, Giant Robot, Magazines, Music, Pop culture

By Gayatri Bajpai

From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s
Hong Kong, 2010, 50min

Says one art critic Yang Xiaoyan, "the people are pragmatic in the southern province of Guangdong, China." They don't bother themselves too much with the esoteric or academic as much as the Mandarin-speakers do. Being independent spirits, the artists of the South were quick to accept more capitalist values at the end of the '80s and change their art accordingly. But what about the '80s themselves? What defined art in the south, which did not follow suit with the northern provinces and accept the '85 New Wave Movement that became 'a campaign' up north?

The Cantonese have often rebelled against the way things are done in Northern China
An artist claims there were famous, prominent artists in the north, but in the south there was a contemporary spirit that was widespread and exciting. The decade, for them, was a period of idealism and passion in Guangdong. Following the Cultural Revolution, these Chinese were intent on catching up with all the Western thought and artistic movements they had missed out on when their publishing was suppressed and there had been a low influx of foreign books. The 'Reading Fever' of '85 and '86 influenced artists' personalities and their portfolios. They read avidly, and nerds were surrounded by girls at school. They got together and started a studio in Guangzhou, where they held experimental art shows.

Now, decades later, the same artists of talk with some mature retrospection about their youthful passions, their lack of depth, but breadth of exposure and sense of adventure. Their change in perspective and their humorous takes on their own green, youthful selves, and a period they recall with some wistfulness, is telling: there is that time in every woman's, man's or movement's life that is its prime, and the exhilarating freedom that goes with it we never cherish soon enough.

Screening: Saturday, May 29, 4:45pm

"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Gayatri Bajpai | May 28, 2010 | Comments (0)

Tags: Art, China, documentary, film, NAFF

By Gayatri Bajpai

Schema Magazine is proud to be the Presenting Media Partner for the Vancouver Premier Screening of 7 Days in Slow Motion
India, 2009, 100 min
DIR: Umakanth Thumrugoti

My favorite film of the ones I have reviewed for NAFF, this is the best antidote to that-film-that-must-not-be-named (cough *Sl*md*g* cough) since it became the quintessential representative of non-Bollywood movies and hogged a mention in every article that refers to India and cinema since. 7 Days in Slow Motion is a sweet little independent that follows a week in a harried schoolboy's life. His exams are coming up, and his mother's sole wish in life is that he make a 'first division', so that her mother will for once be impressed with her 'second daughter's' skills in raising a child. No uncommon situation this. Lord knows I grew up in Delhi knowing the pain of many classmates whose parents were cutthroat when it came to getting their kid ahead at school.

Ravi, however, is interested in other things. He's a cinephile who stumbles upon a movie camera and holds it ransom for a week in order to make himself a movie worthy of the festival his favorite Bollywood actress will attend. As he begins the arduous process of filming, his best friends take over as director and lead 'heroine'. (Every Hindi film must have a heroine. When a character's cousin cannot be in the film, Ravi's male friend takes over and becomes comfortable very quickly in his high-heeled shoes) He realizes there is more work to it than he thought, and begins to discover there are many stories worth telling of his own life and of those near and dear to him.

A little gem of a film, 7 Days is worth its weight in humour, an honest look at real middle-class people's lives. Director Umakanth Thumrugoti captures every detail down to the predominantly bilingual conversations of Indian schoolboys and the greasy hypocrisy of hotel managers when it comes to dealing with tourists (who have money) and their own employees or children (who do not).

Screening: Sunday, May 30, 7:00pm

Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival

Posted by Gayatri Bajpai | May 29, 2010 | Comments (0)

Tags: Film, India, NAFF 2010

By Kwaku Adu-Poku

Raised from Dust
China, 2006, 102 min
DIR: Gan, Xiao'er

Produced by the Seventh Seal Film Workshop

Raised from Dust tells a poignant story about the love and devotion of a woman to her family and her religion. It was produced by the Seventh Seal Film Workshop. Gan is an independent filmmaker based in China, who graduated from the Beijing Film Academy in 1998, and has been teaching at the South China Normal University ever since. His production company, Seventh Seal Film Workshop, is committed to producing films which explore the spiritual life of the Chinese.

The film follows the day-to-day life of Xiao-li, a devoted wife and Christian, as she picks up odd jobs to support her family now that her husband has fallen ill. While she finds support and sympathy from the other members of her congregation, her life is not easy by any means. Things go from bad to worse, as they often do, and her faith is put to the ultimate test.

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While the film tends to drag on at times, the story is emotionally compelling. There is no score, and somewhat minimal dialogue, which adds a sense of realism to the whole experience - like glimpsing into the life of this woman struggling to get by but generally remaining good-spirited through it all.

Particularly striking is a scene in which Xiao-li is preparing dinner. As she finishes cooking, her daughter clears her homework off the table, and replaces it with some bowls and a container. Xiao-li serves some food into the container first, which she later takes to her husband, before serving herself and her daughter. Her daughter says a quick prayer, and they begin to eat. The lives of these characters seem so routine - her husband is absent but not forgotten. Everything about her daily existence comes down to taking care of her family, and her unwavering faith in her religion.

Screening: Friday, May 28th, at 1pm.

"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Kwaku Marfo Adu-Poku | May 27, 2010 | Comments (0)

Tags: China, film, NAFF

By Kwaku Adu-Poku

Digital Underground in the People's Republic of China
USA, 2008, 18 min
DIR: Rachel Tejada

Produced by dGenerate Films

Digital Underground is a documentary that traces the proliferation and dissemination of independent film in China. The film was produced by dGenerate Films, a company committed to bringing unprecedented and uncensored films from China's underground independent film scene to the US market. These films represent some of the last vestiges of independent media in China today, and as such they often provide an unauthorized look into the experience of Chinese people as it is actually lived, rather than what the state allows to be seen.

The film consists of six documentary shorts containing conversations with people involved to various degrees in the independent film scene, including directors, film festival organizers, and producers.

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I really enjoyed this film. Not only was it neatly presented, but this is an issue that I personally knew nothing about before this film. The film shed valuable light on the extent of censorship in China, and the loopholes that allow the underground and independent film scene to exist. Also, the musical score is awesome.

Independent films have become one way to showcase artistic expression and make unedited social commentary and criticism. I began to ponder the implications of living such a socially regulated reality, where freedom of expression may not necessarily be the norm. The popularity of such films represents important generational shifts happening in China. Digital Underground is the kind of film that's both eye-opening and enlightening, and it will help you make sense of some of the context in which some of the other films featured at the New Asia Film Festival were created and realized.


Screening: Saturday, May 29th, at 4:45pm.


"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Kwaku Marfo Adu-Poku | May 28, 2010 | Comments (0)

Tags: China, documentary, film, NAFF

By Kwaku Adu-Poku

30 Day Promise
Canada, 2009, 8 min
DIR: Xia Lee

30 Day Promise follows a man named Vincent Ternida as he recounts his experience of love lost. Screenwriter, producer, and star Ternida teamed up with director, producer, cinematographer and editor Xia Lee to realize this emotional story through an experimental form. The film was created with only an emotion to be conveyed in mind, and consists of Vincent's voiceover dialogue paired with shots of him wandering around downtown Vancouver.

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This film is beautiful in its simplicity. Ternida's stories of insecurities and former loves are so real that they can't help but move something in you. He represents the everyman, pondering his misadventures in love and the mundanity of not only his own existence, but life itself. This is the kind of film that you need to just see for yourself. I thought it was amazing. And its only 8 minutes long.

Preceded by The Golden Pin. Followed by My Toxic Baby.

Screening: Sunday, May 30th, at 1pm.

"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Kwaku Marfo Adu-Poku | May 29, 2010 | Comments (0)

Tags: Canada, Film, Film Festival, NAFF 2010

By Kwaku Adu-Poku

Revolve
Canada, 2009 min
DIR: Andrea Wan

Revolve, written, directed, illustrated, and animated by Andrea Wan tells the story of a young girl travelling with her parents on what is seemingly the slowest train in existence. As they approach their destination, she watches the world around her, seeing the other passengers age and decay, while growing up herself.

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This is an awesome film. The style of Wan's visuals and animation is so loose and expressive that raw emotion comes through. It seemed to be a commentary on the mundanity of everyday routine and existence, with the little girl ultimately breaking the mold and choosing a different path for herself. I really enjoyed it.

The Perfect Gift for Flora
Canada, 2010, 7 min
DIR: Olesia Shewchuk

Produced by Vancouver Film School

When a mother and father promise their daughter anything that she wants for her birthday, things get a little complicated in their attempt to fulfil her request. scriptwriter Anna Wang and director Olesia Shewchuk tell a comical yet striking story, grappling with issues like parental neglect, racism, culture, and misinterpretation.

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Flora's one request is for her parents to get her a sister, but, when she is unhappy with all of the skin colours of the little girls that her parents suggest, they start to panic. They can't believe that their daughter could be racist, and are baffled that she doesn't even want a sister of her own colour. This discussion of colour recalls the NFB film The Colour of Beauty, particularly when Flora says that some of the skin colours are "ugly". It's hard to know what to make of this little girl at first, but everything becomes more clear near the end of the film.

I was really frustrated by this story because the solution that Flora really desired was obvious, and yet her parents never realized what she needed the most. Nothing really changed. And yet, while this was super frustrating, it was also poetic in a way. The parents were totally unaware of the fact that they had become such a fragmented family.

Followed by "Special Showcase of Joe Chang Animation Films"

Screening: Saturday, May 29, 1:00pm

"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Kwaku Marfo Adu-Poku | May 27, 2010 | Comments (0)

Tags: Asian Canadian, Asian Heritage Month, Film Festival, NAFF 2010, short

By Angela Jung

Fish in Barrel
Canada, 2009, 8 min
DIR: Randall Okita

Is it possible to capture a crucial moment in time in an 8-minute piece? Local director Randall Okita explores the emotional journey of one man's internal struggles through slow motion sequences, relying on the intelligence of the audience to grasp meaning.

How do I begin to describe Fish in Barrel? Well, I really can't, other than there isn't a literal fish or barrel.

In a recent Schema interview with Okita, he reveals his thoughts on the film:

"I have a difficult time describing it. I really wanted to make this film. I was incredibly excited to get the chance to do it. I wanted to see the idea realized. It was a huge amount of effort but was never hard work; it was very personal, and a really important experience to see this piece come to life."

This is the second film which Okita has written, directed and produced. His first film, Machine with Wishbone, won awards in Brooklyn, Toronto, Winnipeg and Yorkton. In addition, both Machine with Wishbone and Fish in Barrel won the Centennial College @ Wallace Studios Most Innovative Film Production Award two years in a row at Reel Asian.

Followed by We Don't Care About Music Anyways...

Screening: Saturday, May 29, 7:15pm

"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Angela Jung | May 28, 2010 | Comments (0)

Tags: Canada, Film, Film Festival

By Angela Jung

Talentime
Malaysia, 2009, 120 min
DIR Yasmin Ahmad

I will admit, with no prior knowledge of Yasmin Ahmad's work, Talentime sounded like it would be a light-hearted, fun movie about high school students in a talent show. This film was not what I expected -- it is so much better. From laughter to tears, this movie is heartwarming and heartbreaking. And there's a bonus: the songs are great! If you were to watch just one film from the NAFF, watch Talentime.

The film explores the tales of three homes: a wealthy Eurasian family with a charming father; an Indian family who must overcome a death; and a dying Malay mother and her son. Their lives become intertwined when a child from each household becomes involved with the talent show.

Holding true to Ahmad's style, this film tackles the taboos of inter-racial relationships, class differences and the clashes of multicultural Malaysia. I was quite naive to these issues, and still am, but, after watching this film, I realized that racism and discrimination is more than a reality: it takes away lives and destroys those affected by it.

But this film does more than show audiences teenage angst and race conflicts, it also reveals how having fate may not be enough. Sometimes, it is actually one's faith that builds barriers. The Indian protagonist, Mahesh, and Eurasian female counterpart, Melur, are modern-day Malaysia's Romeo and Juliet. And who doesn't love a good gush?

The ending left me wanting more. I may even be having Talentime withdrawal. This would explain why I have the soundtrack on repeat.

This film is extremely multicultural. The characters in the film speak English, Malay, Cantonese, Madarin, Tamil, Hindi, and even Sign (the protagonist has a hearing and speaking impairment). Don't worry, there are English subtitles.

Screening dates: May 28, 8:45pm and May 30, 4:30pm

"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Angela Jung | May 27, 2010 | Comments (0)

Tags: Culture, Film, Film Festival

By Angela Jung

My Toxic Baby
Canada, 2009, 46 min
DIR: Min Sook Lee

This is not a film about Momzillas. This is a film that reveals the toxicity in our lives, even the toxicity that we sometimes unknowingly expose babies to. Award-winning director Min Sook Lee gave birth to My Toxic Baby after becoming aware of the chemicals and harmful substances that are in the products her baby uses. And if you are a Momzilla, you may have nightmares after watching this.

For future parents, those who hope to become pregnant or people who already have children, this film will be exceptionally eye-opening. The harmful substances and materials which corporations deem to be "safe" and "tested" may not always be the best option for babies. After watching this film, you may become paranoid about the livelihood and well-being of your children, your loved ones, and yourself.

But My Toxic Baby does more than just teach us to be cautious consumers and how to raise babies in a more pure environment, it also teaches us to be green while doing it. For instance, the film covers the practice of "Elimination Communication" (basically potty training an infant). While this might be a new concept for most, the practice is much older than diaper use, which is only prevalent in North America; in some cultures, babies in diapers means lazy parents. Considering that the average baby consumes over 6,000 diapers before he/she is toilet-trained and the fact that diapers spend 400 years in landfills before they decompose, why aren't people using Elimination Communication?

Don't worry, this isn't a green-washing film. And you are getting more than just the director's point of view; there are also interviews with several other mothers and families talking about how they choose to raise their babies.

While not highly entertaining, My Toxic Baby will be enjoyable to people who are interested in learning, and the subject matter is highly applicable to daily living.

Preceded by The Golden Pin and 30 Day Promise.

Screening Date: Sunday, May 30, 1:00 pm

"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Angela Jung | May 29, 2010 | Comments (0)

Tags: daily dose, Film, Film Festival

By Genie MacLeod

Chocolate Underground
Japan, 2009, 87 min
DIR: Takayuki Hamana

Produced by Production I.G.

In a semi-futuristic Japan, the Good For You party is in power, and their mandate is to create a healthy populous at any cost. Under the direction of Leader Healthy, the party is trying to eradicate the evils of obesity and tooth decay by banning chocolate and all other sugary snacks. This is the premise of the anime film Chocolate Underground, directed by Takayuki Hamana, and produced by Production I.G.

Chocolate Underground, based on the children's novel "Bootleg" by British author Alex Shearer, is the latest cinematic offering from the production company that produced Ghost in the Shell, Sky Crawlers, Patlabor, and Innocence, the first Japanese animation feature to compete for the Palme d'Or at the Cannes Film Festival. In this story we meet Huntley and Smudger, two 9th graders determined to defy the government and bring back freedom and happiness by bringing back chocolate. With the help of Mr. Blades, a used-bookstore owner, and the boys' dream girl Louise, whose mother used to sell chocolates but is now force to sell the GFY party's "health food" brand of tasteless vitamin-enriched snacks, Huntley and Smudger go underground, literally and figuratively, to produce and distribute the forbidden fruit - chocolate.

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Hamana's film is a tale of adventure, intrigue, enduring friendship, and, for comic relief, teenage love. But the film also has important, if slightly heavy-handed, political messages to convey. Leader Healthy, who seems to be a cross between Big Brother, Chairman Mao, and Richard Simmons, takes a no nonsense stance when it comes to healthy eating: Mysterious contraptions prevent you from turning off your tv during the GFY party's cultish propaganda ads; chocolate-seeking tanks that resemble giant insects tear off rooftops to locate contraband chocolate sources; and anyone found in violation of party policy is sent to the ominous sounding "re-education" camp. Louise's mother laments that the people's "voting won't change anything" - attitude is responsible for the totalitarian leadership they are now stuck with.

With its zany premise and the over-the-top medium of anime, Chocolate Underground is able to make commentaries on the dangers inherent in authoritarianism, political apathy, and even the repression of sensual desires palatable to any audience.

In Japanese with English subtitles

Screenings:
Saturday, May 29, 3:00pm
Sunday, May 30, 2:45pm

Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival

Posted by Genie MacLeod | May 28, 2010 | Comments (0)

Tags: Asian, Asian Heritage Month, Commentary, Film, Film Festival, Food, Japan, NAFF 2010, Politics

By Sara Chang

Come attend the Book Launch and Reading of Henry Chow and Other Stories!

These stories, by emerging and established writers such as Evelyn Lau and Governor General's Award winner Paul Yee, will captivate and entertain teens of all ages. The book launch will feature readings by writers Marty Chan, Kagan Goh, Fiona Tinwei Lam, Linda Mah and Kellee Ngan and will be followed by a reception hosted by UBC Alumni Relations.

Date: Saturday, May 29, 2010
Time: 2pm - 4pm

There will be great books on sale and Reading begins at 2:00pm. There will be a post-reading reception at about 3:30pm.

Venue: Room 120, C.K. Choi Building at UBC - 1855 West Mall, Vancouver http://www.maps.ubc.ca/PROD/index.php

Registration: FREE admission!. But seats are limited, so pre-registration at
naaap.bc.ca/events.php is advised!

This event is launched by UBC Community Partners for Learning, and sponsored by the IKBLC, Centre for Chinese Research and Alumni Relations of UBC in collaboration with the following partners: Tradewind Books, ACWW, NAAAP, Schema, CCHSBC, Stepping Bridge, BELCUM Foundation, and VAHMS.

Posted by Sara C. | May 29, 2010 | Comments (0)

Tags: Asian, Asian Canadian, Asian Heritage Month, Books

By Joy Inae Kim

Quick Quick Slow
China, 2008, 82 min
DIR: Yai Ke

This is more than a comedy about dancing seniors. Yai Ke's Quick Quick Slow reflects on the millions of seniors who lost the opportunity for an education and youthful freedoms because of the Cultural Revolution.

The fictional story is set as the 2008 Beijing Olympics are approaching and all of China is excited. In one ordinary town, a dance competition brings together townspeople who hope to perform in the opening ceremony. As the competition progresses, a group of seniors form a dance group that gains media and popular attention.

Quick Quick Slow intertwines this fictional story and real interviews with people in their fifties recounting their experiences with the emergence of Red China. They reflect on their joys, struggles, sacrifices and motivations. These individuals, dispersed throughout China, left their homes as young people and sacrificed their opportunities to bring to reality the nation's dreams.

Ke shows the sincerity that once filled individuals who wanted to support a revolution in their country - the devotion that sent them to all corners of the nation to build what is now China out of next to nothing. That idealism is contrasted by the struggles they continue to have as adults. He also subtly contrasts the idle nature of younger generations who take for granted the economic development of their surroundings.

Quick Quick Slow is filled with animated humor but is ultimately a bittersweet tale, depicting the joy and sorrow of real human circumstances. It may force you to re-evaluate your views on the sacrifices and lost dreams of past generations. It is also a reminder that dreaming and the pursuit of happiness are ageless.

I really enjoyed watching this film and would recommend it for any age group.

Screening: Friday, May 28, 7:00pm

Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival

Posted by Joy | May 27, 2010 | Comments (0)

Tags: Asian, China, Film, Film Festival, NAFF 2010

By Joy Inae Kim

Shangshu Academy Witness
China, 2010, 63 min
DIR Zhao Gang

Zhao Gang's Shangshu Academy Witness uncovers the reality of human nature in a post-disaster story.

In a remote valley near Bailu Town in Sichuan, Seminarium Annuntiationis once stood. This monastary was built by French missionaries in the 19th century, and divided into two schools: Xiashu Academy (Lower Academy) and Shangshu Academy (Upper Academy). For centuries, the Shangshu Academy was under the care of local farmers. Members of Tang Min's family served as its caretakers for the past three generations.

Then on May 12, 2008, the Wenchuan earthquake hit. Little was left of the township and its people. Shangshu Academy collapsed. Yet, in partnership with the French, the government agreed to rebuild Shangshu Academy and return it to its original glory in the hopes of revitalizing the city as a tourist destination.

While the city structure is being restored, jealousy and hatred brew beneath the surface. The Jiang family resent the privileges Tang Min receives because of his position with the Academy. When changes don't happen fast enough, Jiang takes matters into his own hands.

Gang's Shangshu Academy Witness successfully captures layers and irony beneath a tragic story. Can people truly arise harmoniously from ruins?


Screening: Saturday, May 29, 11:30am

Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival

Posted by Joy | May 28, 2010 | Comments (0)

Tags: China, Film, Film Festival, NAFF 2010

By Gayatri Bajpai


A Summer Family
Japan/France, 2010, 78 min
DIR: Masaki Iwana

Kamimura is an ageing dancer living in the south of France and giving lessons in the Japanese art form Butoh to students who come to his farm. Every summer it seems his much younger lover, Yuzuko, leaves to be in New York - her presence in Kamimura's household overlapping only briefly with that of his middle-aged wife, Akiko, and their daughter, Mayu. The relationship between the four seems congenial, if sometimes fragile or artificial. In this place where Kamimura celebrates free love, art, and nature, perhaps the new norm is to be infinitely accepting... Or maybe they are all part of an elaborate performance, blurring the line between reality and the staged. But as time goes on, one realizes there are undercurrents to their speech, and holes in their history together.

Though Kamimura makes art of his own most intimate moments with Yuzuko, and Akiko does not seem to moralize about her husband's relationship with another woman, they do not speak of their arrangement around Mayu, and scold her if she speaks too freely of her own crushes. Mayu is precious to them all. She is perhaps the only one who lives with rules, of whom they are protective in old-fashioned ways. Could this be why Mayu remains mostly voice, with the film showing snatches of her - her hair, her ribbons, a limb here and there - but never her face?

A Summer Family blends art and life so that the viewer realizes how closely performances are linked to her own reality, and offers a penetrating look at the most raw of human experiences behind them: loss, nakedness, and sadness.

Screening: Saturday, May 29, 9:15pm

Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival

Posted by Gayatri Bajpai | May 28, 2010 | Comments (0)

Tags: Art, film, France, Japan, NAFF

By Genie MacLeod

Iron Crows South Korea, 2009, 60min
DIR: Bong-Nam Park

There is almost no music in Korean director Bong-Nam Park's documentary Iron Crows. Instead, a shrieking cacophony of blow-torches and tearing metal - all part of a day's work at PHP ship breaking yard in Chittagong, Bangladesh - provides the soundtrack to both the film, and the lives of the workers. This harsh and austere soundscape is broken up periodically by the rhythmic chanting of the ship breakers as they co-ordinate their movements to heave an iron plate or drive a pole into the muddy shore, a fitting metaphor for the strength of the workers' bond to each other despite the awful conditions in which they live and work.

Bangladesh is responsible for dismantling about 45% of the world's retired ships, and this industry provides 80% of domestic metal needs in Bangladesh. The fruits of this labour are vital to Bangladesh's economy, and provide a somewhat environmentally-conscious method of disposing of old ships, as all parts of the ships are sold or recycled in some way. The costs to the workers, however, seem to outweigh the benefits. Ship breakers at PHP are constantly exposed to open flames, asbestos, and the ever-present possibilities of an accidental explosion, or being crushed by falling metal. As one of the workers explains to the camera, "eight hours work means eight hours danger" - the workers only recently started wearing helmets on site.

Shipbreaking_04.jpg Ship Breaking No. 4, Edward Burtynsky, 2000

The film's title is a reference to the crows that populate the ship yard. The workers call these birds roha kak, or "iron crows", because, in the barren and polluted environment of the yard, all that the birds have to build their nests are scraps of metal. Like the birds, the workers of PHP must build their lives around the hulking masses of iron that wash up on their shores.

The film leaves many questions about life at PHP and the ship breaking industry unanswered. There is no explanation of how ships arrive at the shipyard, or how the metal is distributed and reused after breaking, and Park never allows us to glimpse the inner workings of PHP despite pointing at flaws within the system such as child labour, horrific working conditions, and unreliable payment schemes. Nonetheless, Iron Crows is an important film because takes an empathetic view of the world's cast-offs, both mechanical and human.

In Bengali and Korean with English subtitles.

Preceded by Tawallis: Sailing Towards an Elusive Harvest.

Screening: Saturday May 28th, 4:30 p.m.

"Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Genie MacLeod | May 27, 2010 | Comments (0)

Tags: Asian, Asian Heritage Month, Commentary, Environment, Film, Film Festival, International, Korea, NAFF 2010, South Asian

By Justin Ko

KJ: Life and Music
Hong Kong, 2008, 93 min
DIR: Cheung King Wai

There is a memorable scene in the Hong Kong documentary KJ: Life and Music, produced by CNEX Foundation and directed by Cheung King Wai, where KJ (Ka Jeng) Wong, a budding child pianist, is assisted on the keyboard by his teacher and mentor Ms. Loo. Hovering just above the tiny prodigy, Ms. Loo guides KJ's arms with her own, as if she were pulling the strings of a puppet.

The teenage KJ struggles to do the same, attempting to imbue "human being" into his music beyond technical proficiency. Every depiction of young KJ's incredible skill encapulates his entire life - with a fixation on expressing his humanity through music. The film, which spans six years, alternates between footage of KJ as a child pianist, and as a teenage chamber ensemble instructor, with candid interviews scattered in between. Cheung-King Wai, who saw a bit of himself in KJ, does a marvelous and insightful job of tracing KJ's development from a headstrong and ambitious prodigy to a conflicted and self-doubting leader of musicians.

KJ's obsessive attitude and complete dedication towards his craft isolates KJ from his peers, but simultaneously garners their admiration and wonder, and ultimately, their respect. Indeed, it is made clear through KJ's own admission and the observations of his peers that the pursuit of musical perfection has superseded all other concerns. This revelation, of the all-consuming and potentially self destructive nature of perfectionism, can be particularly resonant for anyone who has ever performed a musical instrument or played a competitive sport.

As KJ matures, he articulates a personal philosophy regarding music and its relationship to "the sense of human being", noting that while he may be perceived as being too harsh on himself and others, he is still a champion of the "human being" as opposed to a mere competitive spirit. It is these honest moments of self-reflection that elevate KJ as a character and KJ: Life and Music as a film.

Screening: Opening Film. Thursday May 27, 7:30 p.m. | Sunday, May 30th, 11:15 a.m.

Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival"

Posted by Justin Ko | May 27, 2010 | Comments (0)

Tags: Film, Film Festival, Music

By Gayatri Bajpai

Giant Robot's co-founder and producer, Eric Nakamura, is interviewed by Ken Tanaka, American comedian. Eric talks about the art and the artists GR has been patron of in the past (and the shenanigans they have pulled, like getting arrested in Tokyo), t-shirts GR sells at their big store, and the first Ugly Doll toy they stocked before it became a world-wide craze. Eric's expressions of general confuddlement when Ken puts on his accent are hilarious. This video showcases the eclectic taste behind Giant Robot, and gives you an idea of the iconic magazine's history and evolution in bite-sized pieces. A little preview of the man behind the mag that we will be getting to know even better tomorrow night during Schema Magazine's iWriteAboutMe workshop at the Museum of Vancouver.

Posted by Gayatri Bajpai | May 19, 2010 | Comments (0)

Tags: Eric Nakamura, Ken Tanake

By Justin Ko

Giant Robot, to me, seems to be both a fitting and an ironic name choice for the long-running and quietly magnificent Asian American pop culture themed magazine. While the bimonthly print publication has remained relatively inconspicuous and below the radar since its inception in 1994, by founders Eric Nakamura and Martin Wong, the faces that have graced its covers are, today, nothing less than gigantic.


With the likes of actors Jet Li and Chow-Yun Fat, along with legendary designer Murakami, having all been featured in various Giant Robot issues long before they became household names in the West, it seems unsurprising that the magazine has garnered glowing praise and rave endorsements from many grateful celebrities and members of the Asian entertainment industry. Actor Daniel Wu, a favorite of mine, came out decked in full Giant Robot gear for a memorable YouTube pitch in support of the fellows behind GR, noting that the folks were responsible for exposing readers to critical and significant trends that may have slipped through the mainstream media's attentions.


But while the artists and mindsets that the magazine depicts can no longer be described as "bubbling under", Giant Robot itself continues to be in the shadows, their comparative obscurity masking a magazine "elephant in the room" that directly or indirectly had a hand in the development of Asian American identity and cultural navigation since the mid-1990's. And, after nearly two decades of slowly but surely growing their presence in the realm of Asian American pop culture, I believe it would be an sincere shame for the magazine with a truly "giant" importance and relevance to suffer an ignominious end, at the hands of rising print production costs.


When you look at the consistent high quality and important content that Giant Robot churns out, month after month, year after year, they should be sticking around for a long time to come, keeping us all informed and entertained with their insights and inside scoops. I can only hope that we can muster the same amount of support for GR that GR itself managed to muster for the artistic community as a whole. They might be giants, after all.

Posted by Justin Ko | May 19, 2010 | Comments (0)

Tags: Asian American, Culture, Giant Robot, Magazines, pop culture

By Adrian Bailon

If you're in Vancouver, you can see Eric and Martin via live broadband at the Museum of Vancouver (MOV) THIS thursday for our next iWriteAboutMe.com workshop. And don't forget to RSVP to our WEST is EAST party and fundraiser (for GR, of course) happening at Fortune Sound Club on May 27th! It's gonna be crazy!!

As the premiere Asian American pop culture magazine, Giant Robot's influence is of course strongly felt here at Schema Magazine. Through their coverage of art, entertainment, design, toys, and current events through the unique perspective of Asian Americans, Giant Robot has managed to capture the important - and not-so-important - things we as 1.5 generation (and beyond) Americans and Canadians hold near and dear.

Coming from a design background, I also give props to GR for their clean and modern aesthetic. It takes vision and courage to use the classic and understated Helvetica typeface as your logo, juxtaposed with a silhouette of a playful/angry cartoon robot. Over the years, I've been consistently impressed and awestruck with their covers. Some of my favourite covers include the Takashi Murakami cover (both of them), David Choe's Obama cover, and the super cute Mountain Mountain cover. These are all bonafide works of art, and I've got a lot of respect for Giant Robot for having exquisite taste.

It's easy to admire Eric Nakamura and Martin Wong for putting together GR at a time when Asian culture (art, comic books, animation, entertainment) was nowhere to be found in North America. They represented Asian culture in America long before it was fashionable or profitable, and they continue to be as trend-setting today as they were 16 years ago. Go pick up an issue if you haven't seen one yet.

Posted by Adrian Bailon | May 19, 2010 | Comments (0)

Tags: Asian American, Culture, Giant Robot, Magazines, pop culture

By Genie MacLeod

Before this morning I had never read Giant Robot magazine. In fact, until a couple of weeks ago I didn't even know it existed. Since Schema is throwing its weight around a bit trying to help keep the magazine afloat I thought I'd pick up a copy and see for myself what all the fuss is about. When I opened up the April 2010 issue I found a two-page spread with the banner "Giant Robot Magazine Needs You," the title of their fundraising campaign. The first words I read in the magazine were heartfelt testimonials from longstanding fans who desperately want to keep the magazine alive:

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"Your creation has launched the careers of countless artists and empowered a generation of Asian kids. Pretty f*cking amazing" - Gary Chou

"GR was there to kick start my life after college. I was introduced to a whole new worlds of art, commerce, community, and exchange." - Hazel Mandujano

"I have come to love the GR family like my family, so I have the urge to protect my family." - Kat Rivera

Many others wrote in pledging their fidelity to Giant Robot. Clearly, this is an important magazine.

As a first time reader I didn't quite know what to expect. I'd heard from those who knew the magazine that Giant Robot was quirky, eclectic, and a pop-culture fiend. The very first article in the issue, "Public Dancer," embraced all those descriptions perfectly. "Public Dancer" is Ely Kim, creator of the viral video "Boombox," which, at face value, seems like your typical, albeit awesome, self-indulgent internet video of a guy dancing in random places to a string of random songs (100 to be exact). Giant Robot interviews the dancing king and finds a real story amid the moves. As it turns out, Ely Kim is a Yale MFA candidate, and "Boombox" was a response to a challenge from a visiting critic, Michael Beirut, to do one thing, anything, for 100 consecutive days. Ely likes to dance, and so dance he did.

Kim's project was more than just spectacle for the sake of spectacle. In fact, he wasn't even going to post the video online until his classmates urged him to do it. Kim says of his video,

"It's really just me activating the spaces with my body, and showing that anyone can make everyday environments more fun or magical by moving with your body...I think that joy and freedom resonates with people. It's the way they would dance if they were by themselves."

A viral internet video that brightens your day with its unselfconscious joy and has an empowering message to boot? As Gary Chou would say, pretty f*cking amazing! If this is the kind of quirky fun-loving content that has made Giant Robot a household name then all I can say is, Giant Robot, I think you've found yourselves a new fan!

BOOMBOX from Ely Kim on Vimeo.

Posted by Genie MacLeod | May 19, 2010 | Comments (0)

Tags: Art, Asian, Asian American, Asian Canadian, Asian Heritage Month, Commentary, Culture, Dance, Ethnic Cool, Magazines, Media, Pop Culture

By Kwaku Adu-Poku

The Giant Robot online store is like the mecca of all things toy related. Don't get it twisted, these are not your average elementary school fare. They cover all the big brands and hottest trends, from Uglydolls, to Qee, and vinyl figures of all shapes and sizes. Everything the kid in you could ask for and more. And it doesn't stop there. They've also got an amazing selection of other gear, including prints, electronics, and skate decks to name a few. Perusing the shop alone could keep you occupied for days.

These guys know what's cool, and they aren't afraid to fill you in. Make sure to show them your love and support at the iWriteAboutMe workshop TOMORROW, Thursday, May 20th at the Museum of Vancouver (Yes, we love the MOV) and the West is East Party & Fundraiser on May 27th!

Posted by Kwaku Marfo Adu-Poku | May 21, 2010 | Comments (1)

Tags:

By Adrian Bailon

First and foremost, a big round of applause needs to go out to everyone from NFB, the Museum of Vancouver, and our very own Schema team for organizing a very successful screening of The Colour of Beauty. The turn out was great, and the discussions that followed the screening touched on the various issues surrounding race and media representation. If you haven't seen the short documentary which explores racism in the fashion industry, give yourself about 20 minutes and watch it below before reading further.

The film is great in that it brings to light a very important issue in the fashion industry and the media and pop culture in general. The statistics given in the film about just how few visible minorities are seen in the modelling business is shocking for sure.... But here are some thoughts I have from watching the documentary that bring further discussion to the issue at hand:

1) Fashion and fashion advertising have always been and always will be aspirational.

It's not so much about selling clothes, but selling a lifestyle. Think back to the mid-90's when every hip hop artist was rocking Tommy Hilfiger everything, at a time when Tommy Hilfiger was super preppy and featured mostly (if not all) white models. Part of Hilfiger's success at that time could be attributed to the fact that, yes, we all wanted to live the Hilfiger lifestyle, playing tennis and sipping on champagne in The Hamptons. It's this very white upper-class lifestyle that Hilfiger, Ralph Lauren, and countless others sell. Would having a black or Asian or hispanic model selling this lifestyle make it any more 'real' in the context of the lifestyle being sold? Is it a coincidence that once Hilfiger changed its aesthetic to accommodate the hip hop market, it suddenly went out of style?

2) Supermodels are supermodels because regular people don't look like them.

While it's true that it's hard for visible minorities to look at any fashion campaign and be able to relate to any of the glamourous white models that appear in those ads, but couldn't the same be said for a white person as well? Supermodels are supermodels because regular people don't look like them. This is irregardless of race or ethnicity. A white girl looking through Vogue will likely not see a photo of Kate Moss and be able to relate to Kate Moss on the basis of her being white. Supermodels are super thin, abnormally tall, and perfectly symmetrical, no matter what their race. Most people, including white girls, are not. Again, fashion advertising is not about representing reality.

paolo-roldan.jpg

Recently, Paolo Roldan, a Filipino Canadian male model has been front and centre at ultra high-end fashion house Givenchy. In fact, he was even given the prestigious honour of closing Givenchy's Fall/Winter 2010 show. That's a pretty big deal. Being a Filipino Canadian male myself, do I feel any better represented at Givenchy because of Paolo Roldan? Not really. Maybe if they featured a short, average-built Filipino Canadian blogger, then yes, I would feel like I can relate to whatever it is they are selling -- but chances of that happening are slim to none.

I don't mean to imply that racism doesn't exist in the fashion world, because I'm certain it does, as it does it many other industries. However, I do think there are other factors at play (including socio-economic factors) that impose itself on the fashion industry to remain as white-washed as it is. The good news is that the world is changing, globalization is happening, and the Big Three emerging markets (India, China, and Brazil) are fast catching up to the USA -- all of which will surely change the face of fashion as well.

Posted by Adrian Bailon | May 18, 2010 | Comments (1)

Tags: Diversity, Documentary, Fashion, Film, Race

By Tamiko

I'm still chuckling over the "Get Down With Your Inner Brown" magical pill that'll turn non-Indo-Canadians, well, brown. So it appears in the live sketch "Magical Potion" from one of the my myriad of sketches showcased in I Can't Believe It's Not Butter Chicken, performed by stellar comedic geniuses behind Bollywood Shenanigans, in collaboration with South Asian Arts

Yesterday's matinee performance of the "Best of" I Can't Believe It's Not Butter Chicken came with many a sketch where I just had to mouth, "Oh no, you didn't!" as they tackled issues such as identity, diaspora, marital abuse, generational clashes, class, and sex. The sketch "What's For Dinner?" dealt with issues of "fitting-in" a "White Canada." While, "Are You Really A Terrorist?" handled with aplomp and humour, I might add, the sensitive issue of racial profiling.

The "Typical Brown Girl" sketches had me smirking with delight, as I recognized her attitude in many a -- well, let's just say, many a girl in Vancouver. You know, the bling-styled, brand-name obsessed, club-hopping, "I'm going to date you because you have a Mercedes" and "I'm going to totally tell you that we're best friends forever, and then I'm going to totally talk smack about you behind your back" (Typical Brown Girl actually spews these bon mots out continously!).

Yes, there were some Bollywood-film teasers with some lively dance routines thrown in for good measure. But I have to say my favorite sketches featured Bollywood Shenanigans' Leena Manro as "Dirty Auntie" and Munish Sharma as a passionate "Dance O'Gram" messanger. One of the those aunties that continously traps in the corner during family functions to let you know outright that you're too fat while giving you unwanted advice about your love life, or lack thereof. This dirty auntie even as a local TV show called "Sex It Up With Auntie," made even more hilarious as she enters the stage all demur and sweet, with severely pulled-back hair, and large glasses that overwhelm her face. All of a sudden, she's "sexing it up" with callers and guests who ask her for sexual advice....with hilarious results.

And then the "Dance O Grams" -- *squee!* My guest, Larry (of the local theatre blog "Do Something Different") and I made jumpy claps whenever the "Dance O'Gram" messenger appeared in a sketch. He would sullenly stomp into a sketch, hand over the dance-o-gram message to a recipient, music would cue on, and then he'd start his groove on, gyrating all kinda of places!

...cannot wait until Bollywood Shenanigans gives us another taste of butter chicken!

MORE: Bollywood Shenanigans | South Asian Arts | Bollywood Shenanigans' Munish Sharma's Blog | I Can't Believe It's Not Butter Chicken @ The Province | I Can't Believe It's Not Butter Chicken @ The Vancouver Courier

Posted by Tamiko | May 16, 2010 | Comments (0)

Tags:

By Gayatri Bajpai

A crowd gathered at Grandview Park tonight for a Commercial Drive Block Party, organized to protest redevelopment of the area. I was there for some of the party. I was not there for the spraypainting, window-breaking and fire-starting that ensued. I did come back and I got to see the after-effects.

Construction of Grandview Park is scheduled for July 2010 at which time the park will be closed for a year after. According to information posted on the Facebook group 'BLOCK PARTY on the Drive', 'the official complaints in favour of redevelopment' are a thin guise for eliminating poorer people from the area. Though it has been pointed out that the redesign is not radical (in that the park will still be a park, have trees, and probably have a few more paths), the official complaints cited (without a listed source) are, for the organizers, indicative of the intention on the part of the city authorities to gentrify the area.

On the website Defend Grandview Park, the alleged presentation the "Friends of Grandview Park" made to the Vancouver Parks Board is taken apart point by point. Good counterarguments are made. Action is called for. Back on the Facebook group, guerilla action is the kind intended, specifically taking the streets and wreaking havoc. Now, I may be nitpicking here, but isn't havoc a bit contrary to community welfare?

Don't get me wrong: the energy tonight, especially before midnight, was great, and the cause, when articulated well, seems worth its while. I've been to this park a couple times for the annual Parade of the Lost Souls and it's always magical. Vancouver needs places like this where people can gather. Community spaces that are for everyone, that are not exclusive. The music at the Block Party was bumpin'. People danced, and lay or sat sprawled on towels, smoking (case in point, Vancouver Parks Board: GP is for soft drugs) and drinking and making merry. All sorts came out. Though there were mostly twenty-somethings in all their hipster garb, hippy glory, or quirky undefinables, older people did join in, and a child or two was spotted. Even a fluffy park pooch that seemed to answer to no one, kinda in keeping with the spirit of the evening.

A man took the mike and encouraged people to take to the street. He said something about either banners or bans. As about half the crowd dribbled on to Commercial, we knew the police would be around soon. We danced with those who remained in the park. Then a woman spoke over the music, telling us she had been in a protest earlier today, preventing the mayor from cutting ribbon at a residence inauguration. She told us the homeless had been promised 75% of an allotment of new housing post-Olympics in Vancouver and (I believe she said) those actually receiving it were cops. People booed. More took to the street.

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Shortly after, we left for another event. Past 2 AM we returned to see if the party was still on, and found cop cars lining the road. There were a few ambulances and fire trucks, too. As we got kitty corner to the park, a man announced for us that the protestors/partiers had started a fire in the middle of Commercial Dr. Sure enough, there was a large, tarry patch square in the middle of the road. Police lined the edges of the street and the park. There was some sort of passive aggressive standoff between remaining protestors and cops apparently still in progress, as the former would occasionally shout something about the park, but took no other action, and the cops stood there.

Apparently all the violent action was diffused before we returned. We saw a few windows that had been cracked, shot with something like a paintball gun. On closer examination, I discovered that this was the address of the 'Ministry of Public Safety and Solicitor General' and 'Vancouver East Community Correction'. The irony, and intended 'sticking-it-to-the-man', are almost ham-handed.

A group that was, according to a bystander, dressed and masked very like the anarchists who had attacked store-fronts downtown during the Olympics, was responsible for this window. They were a minority of the people who filled Commercial Dr. tonight. However, the fire had something to do with 'hippies' according to the same abovementioned bystander. So I'm not sure who was responsible for it. There are gaps to be filled. All in all, a lot of people who wanted the rush of a full-fledged protest got their fix, it seems, even if violence was not intended by the majority.

Posted by Gayatri Bajpai | May 16, 2010 | Comments (1)

Tags: Activism, Community

By Genie MacLeod

Do 21st century sensibilities make interracial relationships easier, or even more complex? How do Chinese Christians maintain their faith in a country with freedom of belief but no freedom of practice? What would you do if chocolate suddenly became illegal? At the end of this month the Richmond Cultural Centre will play host to the 3rd annual New Asia Film Festival, where filmmakers from Canada and around the world explore these very questions and many more.

The NAFF brings together 28 films from 12 countries and regions, includes several home-grown talents, as well as multiple formats and genres of film, and a host of perspectives on what Asian culture means, and how it is perceived in the 21st century.

ying2.jpgYing Wang, Director of New Asia Film FestivalYing Wang, the chair of Cinevolution Media Arts Society and director of the festival, envisions this year's NAFF as an "examination of the relationship between our inner and outside world, and between art and life," and features films that "reveal...the inner landscape of contemporary Asian culture."

The creative minds behind NAFF are as committed to bringing film to the people as they are to bringing the people to film. In addition to the four day film frenzy, NAFF is co-hosting two film forums and embarking on a youth outreach program called the Dream Project. The first forum, DocuAsia, which was inaugurated at last year's NAFF, is presented in collaboration with the David Lam Centre at SFU, and will feature a two-part screening and panel discussion of China's Leap of Faith, produced and directed by Christopher Sumpton. The director will be in attendance at both installments, as will Dr. Paul Crowe, director of the David Lam Centre, Dr. Li Yu of the Asian Studies department of Langara College, Professor Daniel Overmyer of Asian Studies at SFU, as well as representatives from Vancouver's Buddhist and Christian communities.

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The second forum features a screening and community discussion of Ohla ai, Ohla ai! (Listen Up, Watch Out!), a series of short films made by participants in the World Beat Project, Vancouver Community College's free education initiative for new immigrants. The participants in the program were given the reins to tell their own stories about blending their native cultures and values with a new life in Canada.

DreamProject.jpgThe Dream Project, Ying Wang's brainchild, is the result of a conversation Wang had with a school teacher about the importance of giving immigrant youth the chance to tell their stories. Wang decided to do just that, so she and filmmaker Jeff Chiba Stearns are putting cameras in the hands of kids from high schools across Richmond and giving them the tools to share their experiences through film. Wang chose the name of the project to encourage every kind of style or approach to storytelling, since "dreams," she says, "can be anything."

From hundreds of films submitted to be part of the festival Wang and the rest of Cinevolution whittled the selection down to 28, all of which, as per Cinevolution's selection criteria, have an intercultural aspect. That's the kind criteria that we at Schema are very much on board with! Wang explains that the "New" in NAFF reflects the changing demographic in Canada, and especially here in the Lower Mainland of B.C. This corner of the world is fast becoming a "New Asia" of sorts, and so the NAFF aims to explore how both Asians and non-Asians are presenting and engaging with Asian cultures here and now. The festival runs from May 27th to 30th, and be sure to check out the closing film, 7 Days in Slow Motion, which Schema is sponsoring. See you at the theatre!

What: New Asia Film Festival
Where: Richmond Cultural Centre
When: May 27th - 30th (Check NAFF website for screening times)

What: DocuAsia Forum
Where: Part 1 - Richmond Cultural Centre
Part 2 - SFU Harbour Centre Campus
When: Part 1 - May 19th
Part 2 - May 21st

What: Ohla ai, Ohla ai! (Listen Up, Watch Out!) Screening and Forum
Where: Richmond Cultural Centre
When: May 28th

Schema Magazine's coverage of NAFF 2010 is sponsored by the Toronto Reel Asian Film Festival

Posted by Genie MacLeod | May 21, 2010 | Comments (0)

Tags: Asian, Asian American, Asian Canadian, Asian Heritage Month, Commentary, Community, Culture, Diversity, Ethnic Cool, Event, Film, Film Festival, Fusion, Identity, International

By Schema Magazine and Sammie Jo Productions

Schema Magazine and Sammie Jo Productions present WEST is EAST, our annual Asian Heritage Month Party and Fundraiser on Thursday, May 27 at Fortune Sound Club. Join the excitement with Vancouver's world-class Asian DJs and dance performers! Featuring Boom Box Saints, DJ BLES-SED, DJ Krown, Niña Mendoza, Style-O-Phonics, and more! Partial proceeds for this fundraiser will go to Giant Robot Magazine. Sponsored by Georgia Straight, Snapbox Photobooth Rental and NAAAP Vancouver.

West is East
Thursday May 27, 2010
Fortune Sound Club | 147 Pender Street East
Vancouver, BC, Canada

Tickets: $15 in advance | $20 at the door
Purchase tickets online
For ticket information email info@schemamag.ca
or visit Facebook event page.

The Line Up:

boomboxsaints.jpgBoom Box Saints
This Filipino-Canadian MC duo and Vocalist, entered the music scene in 2000. Spanning from across Canada, Boombox Saints, of Filipino descent, came together to form in Vancouver, BC. A beacon in the Filipino community, they take pride in representing their people with dignity, heart and a strong work ethicSince then, they have worked alongside well-known artists such as Talib Kweli, Mos Def, Jay Electronica, Kid Cudi and Sean Paul. Devilishly charismatic, seductive smooth- these multi-talented artists provide a searing new sound for the Urban Music community. This group emanates diversity. They can rock any house; from all ages events, fashion shows to concerts. Their unique sound and high-energy performances provide quality entertainment, which is second to none.


bles-sed.jpgDJ Bles-sed
An unquestioned authority on all things old school, Bles-sed incorporates an impressive range of different musical genres into her already divine flow. So in addition to classic R&B and hip hop, expect some funk, soul, disco, electro, classic house, dancehall and everything 80's and 90's thrown into the cut as Bles-sed builds the vibe to one of heavenly heights. She has opened for Maceo (De La Soul), Estelle, Love & Electrik and Raphael Saadiq.


djkrown.jpgDJ Krown
Having had a longstanding love affair with music since his early teen years in Toronto, Krown, aka Steve Lui, cites English dance music pioneers Duran Duran, The Cure, Siouxsie & The Banshees and the raw energy of the Sex Pistols as early influences. When house music reared it's soulful groove, the DJ was bit and this DJs' unique sense of dancefloor madness was born. The now legendary night Pleisure at the Waldorf Hotel in the mid 1990s established Krown as one of the city's greats. Krowns' residencies at the hottest house nights in the city and his reputation as a dancefloor entertainer have allowed him to play alongside the greats, such as Mark Farina, King Britt, Marques Wyatt, Nick Holder, Fred Everything, Andy Caldwell, Halo, Charles Webster, Julius Papp, David Alvarado, DJ Deep, Mr. V, Jamie Thinnes, DJ Rap, Ravin (Buddha Bar), DJ Dayhota and countless others. Every Saturday, listen for the screams and follow them to Ginger62, Krowns' permanent home.


nina_mendoza.jpgNiña Mendoza
Niña Mendoza (pronounced "NEEN-ya", like El Niño) is a Vancouver based music enthusiast/ DJ. She is armed with eclectic and discerning taste; apart from being a hip hop head, she's also got an extensive rare-groove, 80's funk, R&B classics, electro-boogie music library; and a magnetic je ne sais quoi. She's played alongside Esthero, Little Dragon, India.Arie, K-os and Jamie Lidell.


stylophonics.jpgStyle-O-Phonics
Versatility in Styles and in the Application of Music. This group has been in the works for many years; changing from CI8 to Infamous Muse and finally becoming Style-O-Phonics. The group has come into its own, making appearances in music video's, club venues, and various events throughout Vancouver. Individually, each member has different talents and strengths; but when brought together, we stand as a whole. Through our struggles, we are united by passion, devotion, and determination only to show others the love, heart, and soul of dance.

SNAPBOX photobooth Vancouver is bringing smiles and laughter everywhere we go.

Posted by Joy | May 26, 2010 | Comments (0)

Tags: Asian Heritage Month, Dance, Ethnic Cool, Event, Fundrasier, Music

By Kwaku Adu-Poku

The National Film Board of Canada, Schema Magazine and the Museum of Vancouver (MOV) are proud to present the Vancouver premiere of The Colour of Beauty, a provocative documentary about racism in the fashion industry, on May 16th, 2010 @ 7:00PM at the MOV. The film deals with the under-representation of ethnically diverse (specifically black) models in the fashion industry while profiling Renee Thompson, a black model on her daily grind to reach the top. There is no better time than the present to discuss another issue regarding the representation of blacks in fashion.

The use of "blackface" in the fashion industry goes deeper than its historical connotations or inappropriateness. It begs the greater question, are white models being painted black in lieu of hiring black models themselves? In an industry that wants a black girl to look like a "white girl dipped in chocolate," it seems that they have finally solved their dilemma by doing just that.

blackface_in_fashion_frenchvogue.jpgModel Lara Stone as she appeared in the October 2009 issue of French Vogue

Some recent examples of blackface in the industry include model Lara Stone's 14 page spread in the October 2009 issue of French Vogue, the biracial photo shoot on cycle 13 of America's Next Top Model, an image of models Sasha Pivovarova and Heidi Mount in the November 2009 issue of V magazine, and a runway show by Paris based Mongolian designer Tsolmandakh Munkhuu for the Hyères International Festival of Fashion and Photography that took place a couple of weeks ago.

Black people are not actually "black" per se.

Racial categories are socially defined man-made groupings based on perceived phenomenological differences in skin colour. I'm actually more of a cocoa brown myself. Not all instances of painting a person the colour black should necessarily be considered instances of blackface. Sometimes the desired look is more of an aesthetic sensibility, and may have nothing to do with drawing a likeness to people of African ancestry. This is where I personally feel Tsolmandakh Munkhuu's collection falls.

hfdesigner.jpgParis based Mongolian designer Tsolmandakh Munkhuu pictured with two models wearing her collection from the Hyères International Festival of Fashion and Photography earlier this month

Of course, there are many instances of more blatant and deliberate attempts of trying to pass a white person off as black in fashion. I think Maurilio Carnino, the MTC casting director and producer that Renee Thompson meets with in the film, said it best when he half jokingly explained that industry professionals want a black girl to look like a "white girl dipped in chocolate." It's nice that someone can laugh about it because black models everywhere are grinding their teeth as they struggle with careers that may never take off because of such prejudice. As the film expresses, it can be difficult for black girls to book jobs in the first place, but what is the black model to do when the industry calls off the search, and opts to paint a white girl black instead? Not only does this close off a whole host of potential jobs from black models, but it opens up a debate surrounding the integrity and intentions of the fashion industry itself.

We need to consider both the context and the purpose of each instance individually, as the lines are a little more blurry in something like the America's Next Top Model shoot, which transformed models of various ethnicities into a number of biracial counterparts. That being said, allow me to make a blanket accusation and generalization for a moment. I say that by and large the use of blackface in fashion most definitely comes down to blatant discrimination and an unwillingness to employ black models. But that's just my opinion.

Posted by Kwaku Marfo Adu-Poku | May 13, 2010 | Comments (0)

Tags: Advertising, Art, Black History, Diversity, Fashion, Film, Media, Race

By Genie MacLeod, in partnership with NFB's Work For All

A stunning and statuesque black woman struts down a busy urban street in the opening credits of Elizabeth St. Philip's film The Colour of Beauty. In the next shots the same woman is touched up by make-up artists and hairstylists as she poses for fashion photographers. Going by the title and opening scenes alone, you might think that this film is a tribute to the successful career of the black model, and to the changing face of the fashion industry. Wrong. The first words out of the model, Renee Thompson's mouth are, "I think sometimes it's so blatantly racist it's disgusting." The camera pans to a breathtaking head-shot of Renee in her voice-over saying,

"You're constantly under the scrutiny of something you can't do anything about...This is the skin I was given, this is who I look like, this is what I look like...you know, I'm sorry."

Can someone seriously be contesting this woman's beauty?

ReneeThompson.jpg
"I'm sorry" - The Colour of Beauty, NFB, 2010

The Colour of Beauty is St. Philip's contribution to the National Film Board's Work For All series, which explores racism in the workplace. The film follows Renee, a Canadian model of Jamaican descent trying to get ahead in the business, as she walks down the streets of New York meeting with agents and auditioning for casting directors.

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The film also interviews prominent figures in the industry including Renee's New York and Toronto agents, the Editor-in-Chief of Flare magazine, fashion photographer Dallas J. Logan, and Jeanne Beker, the host of Fashion Television. Renee's goal is be the it girl of New York's Fall Fashion Week, but the conventions of the fashion industry are working against her.

"Fashion," says Mann, Renee's hairstylist, "is stuck in 1955." The attitudes on display in this film reveal just how ingrained racism is in the fashion world. Renee explains that it isn't uncommon in her line of work to hear, "we're not looking for black girls," or "we want white girls only." Comments such as these are frighteningly similar to the hiring policy of employers in any industry circa 1950: Blacks need not apply.

Because white models have been the standard for beauty for so long, there is an overwhelming reluctance, and even fear, within the industry to branch out and try to represent an image of beauty that reflects our multi-ethnic world. The unanimous opinion in the film is that if a black model is going to succeed in the industry she has to look like "a white girl dipped in chocolate," because apparently, white sells and black doesn't.

WhiteModels.png

The nonchalant acceptance of racial discrimination in the industry is shocking to see. Renee's meeting with Maurilio Carnino, the casting director for Fall Fashion Week is a disturbing example of this entrenched racism. Carnino praises Renee's beautiful face and her perfect catwalk strut, but then goes on talk about her figure, commenting that she'd be great but she's also,

"...slightly, slightly, slightly wide on her hips...Black models then tend to be a little wider hips and a little bit more like...round..and so sometimes, you know like the face is amazing, she has a fit problem."

Camino_Renee.png

Now, the fashion industry is notorious for setting impossible standards of beauty no matter what your skin colour, but Carnino's criticism seems unreal even by industry standards. Astounded that anyone could foresee a "fit problem" with the almost impossibly slender woman on the screen before me, I did some investigation on Renee's measurements. Her hip size, according to her profile on fashionmodeldirectory.com is 35 inches!

CONTINUE READING »

Posted by Genie MacLeod | May 11, 2010 | Comments (0)

Tags: Advertising, Black History, Commentary, Culture, Diversity, Fashion, Film, Media, Race

By Jocelyn Gan

I first listened to Post in 2004 (in my defense I was born in 1987) and I remember feeling a heightened sense of elevation. To me Post is such a memorizing and beautifully crafted album. The mixture of cacophonous sounds, intensified by Björk's strange yet melodic vocals all coming together to open my ears up to such new sounds. 6 years after my initial encounter with Post, the album still remains just as intriguing, raw, and fearless as it was on my first listen. 15 years after the album was released I think many people feel the same was as I do.

In honour of this record Stereogum has complied a compilation of artists covering the tracks off of Post. The artists chosen to be a part of this compilation couldn't have been better selected. From Liars, Final Fantasy featuring Ed Droste, Xiu Xiu and Dirty Projectors, the artists certainly respected the original tracks, yet they managed to bring their own sound through on the songs.

You can check out the compilation on their website.

Posted by Jocelyn Gan | May 11, 2010 | Comments (0)

Tags: Music

By Claudia Ho & Gayatri Bajpai

Back in the spring of 2007, two UBC students of Aboriginal descent, Karrmen Crey and Amy Perreault, put together a film called Why Do Indians Love Chinese Food?. The film explored how food was the binding element that reinvigorated a sense of interconnectedness and invoked sentimentality for Chinese restaurants in Vancouver's Chinatown. Crey and Perreault's film uncovered a long forgotten history of relations between Aboriginal peoples and the Chinese in British Columbia. Since then, the Chinese Canadian Historical Society (CCHS), along with a number of community sponsors (e.g. Aboriginal History Media Arts Lab) have picked up where Crey and Perreault left off.

Cedar and Bamboo is the film that will make you wonder why on earth you didn't know about the Chinese-Aboriginal relations in BC before.

What began as a small project, a student film of three or four minutes, blossomed as producers Karin Lee and Jennifer Lau honed their ideas for the focus of the film. With Dr. Henry Yu, UBC Professor and Director of the Initiative for Student Teaching and Research in Chinese Canadian Studies (INSTRCC), on board as historical advisor, Karin and Jennifer found that the more they learned, the more the project grew and thus, became not just a student project, but a community endeavour.

While they had initially intended to bring on the student filmmakers from Professor Yu's class who made a documentary entitled "Why Do Indians Like Chinese Food", due to practical complications, other directors had to be found. Karin thought of bringing on board Kamala Todd and Diana Leung, who had already worked together. The project became about very personal stories of intermarriage between Chinese and First Nations people and families. Jenn constantly busy even after the new directors were brought on board. She tells us the entire project from birth to finish must have taken about 2 ½ years, even though total filming time was probably closer to two weeks.

In the beginning of April, Schema Magazine was invited to a private screening of the film Cedar and Bamboo. Sent to represent Schema were Gayatri and Claudia, two girls who soon discovered that what they knew about the history of British Columbia was shamefully limited. The film was an eye-opener, uncovering for us a history that could easily have been forgotten or unknown.

The storytellers featured in the film come from a range of backgrounds. They are Howard Grant, Judy Joe, Hannah Yow, Jordie Yow, Chief Mike Maquinna, and Marlene Liu. The one thing they all share in common is that they can trace (in some cases only recently discovered) their lineages back to First Nations and Chinese unions.

CONTINUE READING »

Posted by Claudia Ho | May 11, 2010 | Comments (0)

Tags:

By Jocelyn Gan

Here's a list of what I know about Japan:

  • Japanese food is absolutely delicious
  • The fashion found on the streets and underground are one of a kind
  • The landscape is breathtaking
  • Hello Kitty was born there
  • Godzilla almost destroyed Tokyo
  • Gwen Stefani loves Harajuku style
  • J-pop is fastastic
  • And Japanese people are obsessed with...bugs?

From the latest documentary by Jessica Oreck, Beetle Queen Conquers Tokyo explores the mystery behind the development of Japan's love affair with bugs. The documentary untangles the cultural and deep histories behind Japan's fascination with insects.

This came as a complete shock to me! I had no idea Japanese people had this obsession with bugs! While watching the trailer I was in awe of this love affair. Who knew that insects play such an important role in Japanese culture. It is such a lucrative business that one person interviewed in the documentary was able purchase a Ferrari by selling beetles! Okay, I'll be honest and admit that I am NOT a bug person. But regardless of that, the premises of the film itched my curiosity nerve.

The film will be released on May 12.

Posted by Jocelyn Gan | May 11, 2010 | Comments (1)

Tags: Film, Japan

By Schema Magazine, NFB and Museum of Vancouver
Join the NFB, Schema Magazine and the Museum of Vancouver for a special film screening and panel on Sunday, May 16th

The National Film Board of Canada, Schema Magazine and the Museum of Vancouver are proud to present the Vancouver premiere of The Colour of Beauty, a provocative documentary about racism in the fashion industry on May 16th, 2010 @ 7:00PM.

Directed by Elizabeth St. Philip, the film will screen as a special companion event to the Fox, Fluevog & Friends exhibit opening May 11th at the Museum of Vancouver (MOV).

The Colour of Beauty is a short documentary made as part of Work for All—an online film series about racism in the workplace produced by the National Film Board of Canada, with the participation of Human Resources and Skills Development Canada.

renee_thompson.jpg

The film follows Renee Thompson, a Canadian trying to make it as a top fashion model in New York. She's got the looks, the walk and the drive. But she's a black model in a world where white women represent the standard of beauty. Agencies rarely hire black models and when they do, they want them to look "like white girls dipped in chocolate."

Screening and Panel Discussion

Museum of Vancouver | 1100 Chestnut Street, Vancouver, B.C.

Doors open at 6:30 PM | Screening at 7:00PM

Followed by a discussion panel made up of industry professionals, artists and policymakers.

PANELISTS

Olivia Cheng
Actress, media personality, producer and published writer
Joleen Mitton
Model
JJ Lee
Menswear Columnist, The Vancouver Sun
CBC Radio Fashion Columnist
Wendy Chen
Media Literacy Specialist
MA, Media, Culture and Communications, NYU
Tricia Romani, MPH
Owner/Agency Director
InspirationALL Talent & Modeling Group, Inc.

People can also participate online by visiting the NFB's Work for All website or via Schema Magazine's Call for Submissions.

ABOUT THE FILM

The Colour of Beauty
Director: Elizabeth St.Philip
Producer: Alexandra Yanofsky
Line Producer: Aisling Chin-Yee / Marie-France Côté

The Colour of Beauty is a shocking short documentary that reveals just how blatant racism in the fashion industry can be. Is a black model less attractive to designers, casting directors and consumers? What is the colour of beauty? Industry insiders like Canadian icons Jeanne Becker of Fashion Television and Lisa Than editor of Flare Magazine offer their insights. (Canada, 90 mins).

For more video about racism in the fashion industry, see Schema's Call for Submissions.

Posted by Alden | May 16, 2010 | Comments (0)

Tags: Activism, Asian Heritage Month, Black History, Commentary, Diversity, Fashion, Film

By Schema Magazine, inspired by our moms

It's the end of the weekend, the end of Mother's Day and after celebrating a yearly breakfast, brunch, lunch or dinner with our moms, we'll all go back to our daily routines. It might be a while before we tell our moms how much we love them and likely another year before we recognize our moms for all the things they've done for us. Meanwhile, they'll be the ones thinking about us everyday, making sure we have enough to eat, nagging us about our messy rooms, advising us not to stay out too late, and patiently waiting for us to come back home safety after a weekend party.

So now that Mother's Day is over, let's raise one more toast to our moms. Thank you for loving us unconditionally and for making us better people!

"I'll never whistle at night"

Christina'smom.jpg

Mothers often refer to their child as a gift from God. I can wholeheartedly say that my mom has never failed me and never will for as long as she lives. With her sometimes weird, unique and very odd life lessons, over the past 23 years of my life, I've learned that, as long as I listen to my mom, nothing can go wrong. How could you not love someone who tells you not to whistle at night because it'll bring out the snakes? Or someone who can make your tummy ache go away just by simply rubbing your stomach? My mom is tall, slim, with big honey brown eyes and a high nose bridge. I on the other hand, am the chubbiest one in my family, with small Asian eyes and nose. She often jokes and tells me that she found me under a bridge. I can only hope to be half the person she is. Her courage, confidence, patience and knowledge of everything in life amazes me. She is my best friend, role model and the rock of my life. My mom is MY gift from God and she's the greatest gift that God could have ever given me. There's nothing in the world that I can't accomplish with my mom on my side. Sa-rang hae uhm-ma!

—Christina Jung, Co-Editor in Chief

"Momma Ho, you CRAZY...but I guess I still love ya"

claw'sMom.jpg

Don't be fooled by my mom's chubby cheeks or her alluring smile, she's deceivingly crazy. Momma Ho is the reason why I talk a little too much, laugh uncontrollably at the little things, am easily amused, have an overly active imagination, why I still watch cartoons, why I've seen Pride & Prejudice (BBC Version) about 100 times, why I sleep cautiously for fear of her spying on me at night (I've caught her a couple times), why I get drunk off half a glass of wine (this is beyond bad "Asian" genes) and why I like eating hard-boiled eggs with soy sauce and sugar. Momma Ho is also crazy because she likes to show everyone who visits, a 24" by 16" portrait of my four-year-old self, insists on calling me her "birthday baby" in front of everyone I know and constantly suggests suitors like youtube star KevJumba (who is at least five years my junior), because he "respects and loves his dad, he's a good boy." But I guess, as weird and as crazy as my mom is, she shows me everyday how committed she is to her family and how deeply you can really love someone. Mom, thanks for making me as weird and as crazy as you are.

—Claudia Ho, Co-Editor in Chief

"You sacrificed everything for me"

Jocelyn+mom.jpg

My mom has made a lot of sacrifices throughout her life to get me to where I am today. The biggest would be leaving her family behind in Malaysia and immigrating to Vancouver. For that reason alone, I am truly thankful. Her sacrifices for me and her family are endless, and I don't think I can ever convey how thankful I am. I can only try to make her a proud mother as I am proud of her. I'm continually awed by her strength, intelligence, courage, positive outlook on life, and unconditional love. I can only hope I will be able to instill the values she has on me unto my own children in the future. I love you Mom!

—Jocelyn Gan, Managing Editor of People To Watch

CONTINUE READING »

Posted by Claudia Ho | May 10, 2010 | Comments (0)

Tags: Children

By Alden E. Habacon

Photo: from forums.ufc.production.sparkart.net

It's no secret that I'm a big fan of Lyoto Machida (aka. The Dragon).

My jaw hit the floor as I watched Mauricio "Shogun" Rua knock out Machida in under four minutes of their highly-anticipated rematch, which tool place at the Bell Centre in Montreal. In their last fight (UFC 104 in October), Machida won by a unanimous but controversial decision by the judges.

Machida has never lost a fight and I believe this was likely his first knock out.

Rua landed a grazing right and the two went down. Rua then landed a crushing right from the top that closed Machida's eye and essentially ended the fight. (from sports.yahoo.com)

Devastating. But a classic clash of mixed martial arts titans. In defeating Machida, Rua now holds the Ultimate Fighting Championship light heavyweight title.

Posted by Alden | May 8, 2010 | Comments (0)

Tags: Martial Arts, Sports

By Christina Jung, Co-Editor in Chief, Schema Magazine

Photo: Dallas Logan. From Colour of Beauty (2010).

When all of us at Schema Magazine first heard about Work for All, the National Film Board's (NFB) initiative to raise awareness of racism in the workplace, it was an instantaneous love at first sight! We were thrilled to jump on board and support NFB.

To make this partnership ever so memorable, Schema Magazine is partnering with the Museum of Vancouver's (MOV) upcoming fashion exhibit, Fox, Fluevog & Friends, and NFB's Work for All film series, to launch a community event and screening for Colour of Beauty, a short film about the lack of diversity and minority representation in the fashion industry. This event takes place at 7pm on May 16th at the Museum of Vancouver (more info).

With modeling agencies pining over models like Naomi Campbell, who is considered as the epitome of a "white model dipped in chocolate," it stands to reason that there is a serious lack of diversity within fashion. But we're dying to hear what you think.

Have you or someone you know struggled to be a model, agent or designer because of ethnicity or race? How does the fashion industry or advertising shape mainstream attitudes around the "colour of beauty?"

CONTINUE READING »

Posted by Christina J. | May 8, 2010 | Comments (0)

Tags: Art, Asian Heritage Month, Commentary, Diversity, Event, Fashion, Identity

By Tamiko

Why is this the first I've heard of the historical relationships between the Chinese Canadian and First Nations communities in B.C., including a community of mixed-Chinese/First Nations peoples?!? Somehow they've been ignored by BC historians until now, what with the research of the Chinese Canadian Historical Society of BC.

These relationships have been given breath by the Chinese Canadian Historical Society of B.C with their project Chinese Canadians and First Nations: 150 Years of Shared Experiences. Their efforts have culminated in a 22-minute documentary film called "Cedar and Bamboo".

Cedar and Bamboo will be screened at the DOXA Documentary Film Festival in Vancouver that runs from May 7-16th. Cedar and Bamboo will be screened along with two other documentary films on Tuesday, May 11, 2010 @ Pacific Cinematheque, 3:30pm (more info here).

In Cedar and Bamboo, Diana Leung and Metis-Cree filmmaker Kamala Todd spotlight the issues the community members of both Chinese and First Nations descent have faced. Here's the CEDAR AND BAMBOO synopsis:

British Columbia has some beautiful landscapes, both physical and cultural. Cedar and Bamboo explores the inter-community histories and shared experiences of Chinese Canadians and First Nations. The first generation of mixed blood descendants share captivating stories about the hardships they endured as a result of their confusing cultural heritage. The younger generation is drawing strength from the proud pasts of their elders, and they're choosing to take the best of both worlds.

CEDAR AND BAMBOO TRAILER:

Cedar & Bamboo (trailer promo) from johnny darrell on Vimeo.

Posted by Tamiko | May 7, 2010 | Comments (0)

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By Christina Jung

Do you have an old vehicle thats just collecting dust in your garage or driveway? Unsure of what to do with it? I found a great solution that's not only simple and easy, but it'll also leave you with some extra cash in your wallet without spending a dime!

Retire Your Ride, is an environmental friendly initiative from the Government of Canada to help decrease the number of high-polluting vehicles. From January 2009 to March 2010, the program has recycled approximate 10,904 vehicles in British Columbia alone and aims to retire at least 50,000 by the end of March 31, 2011. Although each province has different requirements and rewards, the goal of the program is the same

"to improve air quality by reducing greenhouse gas emissions and lowering exhaust pollutants" -BC Scrap-it

The program offers many great incentives, while guaranteeing you that your old car will be recycled properly to avoid the release of any environmentally harmful toxins. Need to get another car when you retire your old vehicle? No worries. The Retire Your Ride program offers you $300 cash or rebate on the purchase of a 2004 or newer vehicle. Public transit passes seem a little expensive? Retire your ride got you covered with a FREE transit pass.

Participate in protecting our environment. If you have an old vehicle that needs to be retired, check out the Retire Your Ride site, for BC Scrap-it for specific British Columbia requirements and incentives! Recycle your old vehicle responsibly.

Posted by Christina J. | May 13, 2010 | Comments (0)

Tags: Canadiana, Community, Environment

By Claudia, Originally published by Jen of Disgrasian

This was posted by our friends on Disgrasian and I thought it was a good little reminder for those of us who still have grandparents. Seems like nowadays, there's a trend of finding out where we come from (historically and culturally) and there are many things about our heritage that isn't written in a text book. Spend some time and ask your grandparents to tell you stories about the ol' days. You might be surprised by what you find. Thanks, Disgrasian for the newsflash!

The world's oldest person, Kama Chinen of Okinawa, Japan, died Sunday, a week short of her 115th birthday. Chinen was also the 28th oldest person ever and the 25th oldest woman ever. In April, she became the last person born in 1895 who was still alive.

Kama-Chinen.jpg

To put this in perspective, here are a few other things that were happening in 1895 (via Wikipedia):

* The game of volleyball is invented
* Alfred Nobel signs his last will and testament, setting aside his estate to establish this little thing called the Nobel Prize
* W.E.B. Du Bois becomes the first African American to receive his Ph.D. from Harvard
* China is still being ruled by the Qing Dynasty

And other people born in 1895 include Babe Ruth, Buster Keaton, and J. Edgar Hoover. You know, people who have been really dead for a really long time?

The oldest living person is now believed to be 114 year-old Eugenie Blanchard of France.

Posted by Claudia Ho | May 6, 2010 | Comments (0)

Tags:

By Schema Magazine's iWriteAboutMe.com

Schema Magazine and Museum of Vancouver (MOV) are super excited to present the next featured speakers for the 5th iWriteAboutMe workshop, Asian American pop culture pioneers Eric Nakamura and Martin Wong, creators of the always fresh Giant Robot magazine!

Thursday May 20, 2010
6:30-8:00 PM | Museum of Vancouver (MOV) |
1100 Chestnut Street, Vancouver, B.C.

This is a FREE event and everyone is welcome. RSVP required as seating is limited. Please visit NA@AP Vancouver to reserve a seat. More on Facebook.

76.jpgThese icons of Asian American media will be joining us live via broadband from 6:30pm-8:00pm at the MOV for an exclusive interview about the past, present, and future of Giant Robot, Asian American pop culture, and more! (Look for directions below)

Eric and Martin took on their first issues of GR with a die hard DIY attitude, probably stemming from their anarchic punk aesthetic. In the 90s that sure took some hands-on work, and not just hands on a keyboard, with a 'publish' button. It took photocopying. A lot.

Now Giant Robot has evolved into a multimedia enterprise with its own line of products and a webzine a-bloom with input from a crowd of techno-savvy, tongue-in-cheeky bloggers. It has even spawned "Robot babies" with stores starting from its birthplace in California and spreading all the way to New York City's East Village. GR was 50 issues old in 2007 but has aged well and can now boast covers in bold colour, graced by street art, anime characters and cinema stills.
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63 issues later, GR continues to be that "small, punk-minded magazine" that showcases the fun, quirky and just-plain-weird side of Asian American culture. Not to mention, it has inspired many prolific Asian American voices, including previous iWriteAboutMe.com speakers, Phil Yu, creator of the super-blog AngryAsianMan.com and Jen and Diana of the hilarious and ever-popular blog Disgrasian.com.

GR has set itself apart from all magazines out there today, proving that there will always be a demand for Asian American content and the more the attitude, the better.

Tell us, how can you say no to a FREE event that gives you the chance to listen to these inspiring icons speak, ask questions and learn about what could inspire YOU to make a difference as well?

Check out the event on Facebook. Space is limited! Please RSVP with NA@AP Vancouver.

Sponsored by The Laurier Institution and Bing Thom Architects.


View Larger Map

Eric Nakamura and Martin Wong are presented by Schema Magazine and the Museum of Vancouver, in partnership with the North American Association of Asian Professionals Vancouver (NA@AP), theTyee.ca, Fresh Media (Vancouver).

Posted by Gayatri Bajpai | May 14, 2010 | Comments (0)

Tags: Asian American, Asian Heritage Month

By Adrian Bailon

People may first be attracted to the upcoming Babies documentary by French director Thomas Balmès because of its undeniably cute subject matter - four babies from four very different regions around the world. Look deeper, though, and one would be surprised to see that the documentary is a unique look at how humans are shaped by their cultural and physical environments from the moment they are born.

Babies follows the very young lives of four infants: Ponijao from the Himba tribe in Namibia; Bayarjargal living in a rural farm in Mongolia; Mari from Tokyo, Japan; and Hattie from San Francisco, USA. Without the use of any narration, the documentary gives its audience an intimate look at exactly how different (and also similar) these infants' lives are. "I wanted to give a baby point of view," Balmès says, "just immerse you in a baby's world for 80 minutes."

Front and center of Babies is the contrast between the four cultures in which the featured babies grow up. "I chose four places at different development levels in [their] relationship with technology," explains Balmès, "From the absolutely zero technology of the Namibian family to the science fiction of Tokyo, where you feel like you're in Blade Runner. There, the space is so small, people are living in tiny [pods] almost, [compared with] the gigantic spaces of Mongolia and Namibia."

Despite their very different environments, however, Balmès gives viewers an important underlying message: "...[I]f children have their basic needs fulfilled and there is love, they'll all do well, wherever they grow up."

The film comes out in Canadian theatres on May 7, 2010. Read more about the documentary from this CBC News article.

Posted by Adrian Bailon | May 4, 2010 | Comments (0)

Tags: America, Documentary, Film, Japan, Mongolia, Namibia

By Jocelyn Gan

There's something charming about The Suzan. There's something intriguing about The Suzan. There's just something about The Suzan that keeps me navagiting back to their MySpace page. Calling Japan and New York their hometowns, this 4 piece all girl group mixes classic rock and roll beats with fresh hooks and jungle-jam vibes.

Comprised of sisters Saori (guitar and vocals) and Rie (keyboard and vocals), along with pals Ikue and Nico, The Suzan sound promises you a good time of dancing is in order. In fact they have caught the eye (and ear) of Pete Bjorn, who will lend a helping hand in producing and releasing their upcoming album.

You can check out their tunes here.

Posted by Jocelyn Gan | May 5, 2010 | Comments (0)

Tags: Music

By Tamiko Ogura

In celebration of Asian Heritage Month (May!), Toronto's Reel Asian (Toronto's Asian Film Festival) is going cross-Canada in its first tour of thought-provoking Asian Canadian short films.

sense_small.jpg[A Small Misunderstanding | Dir. Leslie Supnet | Canada 2008 | 1:00]

sense_alish.jpg[Ali Shan | Dir. Yung Chang | Canada 2009 | 7:00]

sense_irmav.jpg[Irma Vep | Dir. Jong Wook Choi | Canada 2009 | 4:00]

sense_rexvs.jpg[Rex vs Singh | Dir. Richard Fung, John Greyson and Ali Kazimi | Canada 2009 | 29:38]

sense_fishi.jpg[Fish In A Barrel | Dir. Randall Okita | Canada 2009 | 7:00]

This program entitled SENSE OF WONDER: Asian Canadian Film & Videos will be seen in 4 different cities this May (click here for info):

* Winnipeg - May 13
* Montreal - May 16
* Ottawa - May 18
* Vancouver - May 25

SENSE OF WONDER features 8 Asian Canadian short films and videos by directors Leslie Supnet, Victoria Cheong, Jong Wook Choi, Lydia Fu, Paramita Nath, Randall Okita, Yung Chang, Richard Fung, John Greyson & Ali Kazimi.

The Vancouver screening of SENSE OF WONDER on May 25 @ The Pacific Cinematheque will have Randall Okita and Lydia Fu in attendance.

I was able to catch SENSE OF WONDER when it showed at the 2009 Toronto Reel Asian Film Festival. I have to *jumpy clap* over Lydia Fu's short film Permute. Loved it. Hey, I'm saw the films with a regular filmgoer's eyes ... which is why I have to admit (and probably will be scorned by the oh-so-arty souls) that I had no idea what in heavens was going on with Randall Okita's Fish in a Barrel. True, yes, but it looks really good and I can still remember it most from all the others, so that's saying something I hope.

On the flip side, all the film aficionados and film festival programmers were left gushing on how fantastic Fish in a Barrel is, so that's a better measure of the film.

MORE: Toronto Reel Asian | SENSE OF WONDER | Reel Asian Twitter | Reel Asian Blog | Reel Asian Facebook

Posted by Tamiko | May 25, 2010 | Comments (1)

Tags: Asian Canadian, Asian Heritage Month, Event, Film, Reel Asian, Sense of Wonder

By Gayatri Bajpai, in partnership with NFB's Work for All

In 1990 the mayor of Oka, Montreal, thought adding nine holes to a golf course was just cause for mowing down the pines of Kanehsatake, Mohawk territory. A fledgling protest on a dirt road leading into the land became a full-blown resistance movement led by the Mohawk people, joined by their indigenous and non-indigenous allies. Thus began the Oka Crisis, subject of the documentary Kanehsatake directed by Alanis Obomsawin. 270 years of resistance to giving up their territory had taught the Mohawk a thing or two about sticking to their guns. That said, the heroes of Kanehsatake show commitment to both their cause and the cause of peace, through escalating tension with the police, the army, and even townspeople inconvenienced by the blocking of roads through Mohawk territory.

The film shows the women of Mohawk telling army men surrounding their barricaded territory that they will be ashamed to tell their children where they were posted. You had better say you were in Germany, they say. Don't tell them you took other people's land. They receive no answer. Each soldier knows his only justification is 'orders'. Already having been betrayed by the Sulpician order, a religious organization, which took over rights to their land in the 1700s under pretense of supervision, the Mohawk stand tall against a history of oppression in 1990. They are not about to defer to any authority, or sink to the levels of those who do them wrong. They are simply out to defend the land.

Though history will tell you that their fight is not yet finished, the self-control exerted by their warriors, who did not hurt anyone except possibly in self-defense (one officer was hit after police efforts to control a protest led to shooting: who killed him was not known) is admirable. So is the perseverance of those Mohawk who remained within barricaded territory with their warriors till the very last stand, when the army had pushed them inwards, and continued to celebrate their culture as they became cut off from food and the months grew colder.

The Mohawk braved all sorts of hostility, mockery, and hardships from July to September of 1990. Despite their patient negotiations with the government, during which they remained vocal and refused to back down on their demands, not all of their concerns were met. When they finally walked out of the forest, having disposed of their weapons, they were treated with disrespect. Watch Kanehsatake for a revelatory look at a struggle many can relate to in Canada.

Read more on the Work for All website | Watch the making of Kanehsatake | Watch an interview with Alanis Obomsawin

Posted by Gayatri Bajpai | May 5, 2010 | Comments (0)

Tags: Film

By Sara Chang

Simon Fraser University, in association with PEN Canada, Japan PEN and the Vancouver International Writers Festival proudly presents:

Canada Meets Japan: A Conversation of Authors

This event will feature Takashi Atoda, President of PEN Japan, Eto Mori, winner of the Naoki Prize for Kaze ni maiagaru biniiru shiito, and Jiro Asada, winner of the Naoki Prize for Mibu gishiden, together with Steven Galloway, author of The Cellist of Sarajevo, Nancy Lee, author of Dead Girls, and Timothy Taylor, author of Story House.

Special guests Ayako Sato, Takeaki Hori and PEN Canada spokesperson Douglas Coupland (Generation A) will be there too!

Date & Time: Monday May 3rd, 7 - 9:30 pm
Place: The Asia Pacific Hall, at the Wosk Centre for Dialogue, 580 West Hastings Street
Admission: Free. Please pre-register here.

So come join in for an evening of inter-cultural and cross-country discussions!

Please visit their website for more information.

Posted by Sara C. | May 1, 2010 | Comments (1)

Tags: Asian, Asian Heritage Month, Books, Community, Culture

By Tiffany Zhao and Claudia Ho

When it comes to action, often only the big shots in the biz can support it, but if all you have is a measly $10,000 budget, the odds of you making that blockbuster summer flick is rather far out of reach. FPS Productions (Film & Photography Society) at UCLA, however, took on this challenge with their short, but high-intensity action film, Dilated, and all that can be said is, WOW.

Director Brian L.Tan, who, by the way, is only 20 years old and already has a few completed films on his resumé, along with the film crew of UCLA students, didn't have professional technicians to create special effects or amazing computer graphics, nor did they have the thousands of crew members or grossly paid actors often required for making action films. Instead, all they had was 7 cameras, a small crew of 200+ people and a clear vision. It's evident after watching the trailer, that sometimes a bit of ingenuity, creativity, talent and most importantly, an ambitious passion can go a long way.

Dilated description:

Left for dead, abandoned, and confused, test subject D.I.C. cant recall anything about his past life. With a group of relentless mercenaries hot on his tail, all he knows is that they want him dead or alive. Slowly unraveling a sinister plot perpetrated by the highest levels of government, he learns that he may be the key to solving a mysterious, adverse epidemic that threatens the very fabric of society; a fact that still doesnt stop him from kicking ass and going out with a bang. —Excerpted from Dilated Official Site

With a trailer THIS amazing, be prepared to be blown away at the premiere of Dilated on Thursday May 5th, 2010 at 8pm at the Ackerman Grand Ballroom at UCLA. Admission to the premiere is FREE, on a first-come-first serve basis. It's definitely an event you can't miss!

For more information, you can email or visit the Facebook event page.

Posted by Tiffany Zhao | May 3, 2010 | Comments (0)

Tags: Daily Dose, Event, Film, Media

By Linda Chan

Canada is taking over the world, one MTV show at a time! Starting with Randy Jackson's America's Best Dance Crew. On its fifth season, the show featured its first Canadian dance team, Blueprint Cru.

The group originated in Montreal as an all girl group, with Thien-Lien "TL" Troung, Vanessa Gagnon, Lorena "Lo" Liebman, Nathalie Levy, and Kim Gingras in 2002. They eventually diversified adding three men, Derek "Derty" Rice, Vincent-Olivier Noiseux and Nicolas "Bboy Hero" Begin. The cru's strength comes from the strength of the individual dancers. Thien-Lien, Kim, and Vincent-Olivier have all been on So You Think You Can Dance Canada, with Kim and Vincent-Olivier making it on to the top 20. The group has become known for its precise and complex choreography. They are astounding to watch, because it looks like an optical illusion.

Placing as the runner-up on the season finale of ABDC, they made a proud representation of Canada, and the Canadian dance scene. Blueprint Cru were able to make their mark in the US, the mother country of hip-hop, and proved to the world, according to AngryAsianMan, that Canadians can dance!

Posted by Linda Chan | May 5, 2010 | Comments (0)

Tags: Dance, Television

By Alden E. Habacon

Above image from neatorama.com

I love the earth. I also love Lego. I grew up playing with both. I can't think of a better way to deeply embed the reality of endangered animals deep into the imagination of children than with Lego. From treehugger.com:

With the precarious state of ecosystems throughout the world today, it is difficult to know for certain which threatened species will continue to be around for future generations - and which will have gone the way of the Dodo. But as sobering of a legacy that may be, it is increasingly important to raise awareness of these fading animals early and often to the children of today, whose attitudes and actions as adults may determine the fate of the planet's biodiversity. So, with that in mind, one zoo is educating its young visitors about the importance of preservation in an imaginative way--with an exhibition of endangered animals constructed out of Legos.

SLIDESHOW: See Even More Photos of these Incredible Lego Animals

lego-monkey.jpg

More at livbit.com

Posted by Alden | May 26, 2010 | Comments (0)

Tags: Design, Environment

By Jocelyn Gan, Originally found on Angry Asian Man

Thank-you Angry Asian Man for bringing this to my mention. New York based indie band, PaperDoll, have released their very first Chinese single! "Anything At All", performed in Mandarin by lead singer Teresa Lee, is bound to bring in a whole new audience for this band. The original English version of "Anything At All" can be found on their album Ballad Nerd Pop (which Phil Yu of Angry Asian Man highly recommends), as well as there is a free download of the both versions of the song provide on their website here.

PaperDoll will be perform in New York City at The Gramercy on May 22. If you're in the area make sure to check them out!

Posted by Jocelyn Gan | May 10, 2010 | Comments (2)

Tags: Music, PaperDoll

By Claudia, (originally published in April 2010)

It's been a while since we've reminded you guys about Giant Robot (i.e. that awesome, pivotal, groundbreaking Asian American magazine that's changed the lives of many) and in the next few weeks, we promise to keep everyone informed more regularly!

So here goes.

Check out this youtube vid of Daniel Wu, an American-born actor, who's pretty damn famous in Hong Kong Hollywood. Daniel talks about how Giant Robot had changed his life, allowed him to be exposed to ideas, things, places and people that weren't otherwise considered cool. It's a compelling video and will hopefully make you want to help the Giant Robot Needs You Campaign.

Posted by Claudia Ho | May 19, 2010 | Comments (0)

Tags:

By Claudia

Giant Robot is a magazine that essentially galvanized the Asian American pop culture movement and has continued to do so for the past 15 years. But now on the cusp of its 16th year, the magazine is struggling financially and needs YOUR help to keep it running.

For those of you who have followed Giant Robot over the last decade and a half, you have probably been impacted in some meaningful way and for those of you who are unfamiliar with the magazine, read it, because you will then understand why it is worth pouring every ounce of your energy, time and effort into supporting the GR campaign.

Eric Nakamura and Martin Wong are the editors, writers and visionaries behind Giant Robot. Noble in their cause, they have delivered fun, interesting and (at times) controversial Asian and Asian American topics in every issue of their magazine. Eric and Martin have also built a large fan base and whether they have done so on purpose or inadvertently, their magazine has shaped their readers into more conscious and educated individuals...and have even inspired some writers out there today:

"I first discovered Giant Robot when I was in college. I was extremely excited to find a magazine that was covering "Asian Pop Culture and Beyond" with some attitude and an eye for cool -- and best of all, they were doing it completely on their own terms. It was inspirational. In truth, without Giant Robot there would be no Angry Asian Man." -- Phil Yu, Angry Asian Man

As young ethnically diverse people living in North America, we inherently develop complex identities. Even today, having lived in Canada all my life, I have only recently learned to be comfortable with who I am (and no, I'm not just a "CBC" (Canadian Born Chinese) nor am I a "white-washed" Asian). Magazines like Giant Robot force us to dig deeper -- this is where the "Beyond" part of their slogan comes in.

In Issue 19, entitled "Pray to Prey," the analogy of religion is used to express GR's purpose,

Pray_Pray.png

"...I'm more tolerant now. Religion is like music, literature or a work of art - anything crafted with an aesthetic and an attitude. You want to share it with people you care about. that's why new friends give mix tapes to each other, share favourite books and movies, and maybe even cook family recipes for each other. (By then, you may be more than friends.)"

"I should know, because Giant Robot is a combination of all those things. I don't know if we can promise eternal life or even a good party on Wednesday night. But we can do everything possible to make a magazine that makes a difference to us and, possibly to you."

For Schema, there is no doubt that magazines like GR compel us to continue doing what we're doing and THIS is why we need to do everything we can, from making donations to just spreading the word, to keep Giant Robot alive.

See Eric and Martin's video below.

CONTINUE READING »

Posted by Claudia Ho | May 20, 2010 | Comments (0)

Tags: Asian American, Magazines



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